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The Journal of Seventeenth-Century Music

JSCM Issues

Volume 29 (2023) No. 1

Table of Contents

A Note from the Editor, Lois Rosow

Articles
Book Reviews
  • A Performer’s Guide to Transcribing, Editing, and Arranging Early Music. By Alon Schab. New York: Oxford University Press, 2022. Reviewed by Alexander Dean.
  • Music and Jewish Culture in Early Modern Italy: New Perspectives. Edited by Lynette Bowring, Rebecca Cypess, and Liza Malamut. Music and the Early Modern Imagination. Bloomington, IN: Indiana University Press, 2022. Reviewed by Paul G. Feller-Simmons.
  • “Allegri’s Miserere” in the Sistine Chapel. By Graham O’Reilly. Woodbridge, Suffolk: The Boydell Press, 2020. Reviewed by Thomas Hochradner.
  • Music and Power at the Court of Louis XIII: Sounding the Liturgy in Early Modern France. By Peter Bennett. Cambridge: Cambridge University Press, 2021. Reviewed by Deborah Kauffman.
  • Annali della stampa musicale romana dei secoli XVI–XVIII. By Saverio Franchi, with Orietta Sartori. Vol. 1, part 1: Edizioni di musica pratica dal 1601 al 1650. Rome: IBIMUS, 2006. Vol. 1, part 2: Indici to vol. 1, part 1. Rome: IBIMUS, 2012. Vol. 2, part 1: Edizioni di musica pratica dal 1651 al 1670. Lucca: Libreria Musicale Italiana, 2021. Vol. 2, part 2: Indici e Repertorio annalistico, 1671–1800. Lucca: LIM, 2022. Reviewed by Margaret Murata.

Volume 28 (2022) No. 1

Table of Contents

A Note from the Editor, Lois Rosow

Articles
Book Reviews
  • Both from the Ears & Mind: Thinking about Music in Early Modern England. By Linda Phyllis Austern. Chicago and London: The University of Chicago Press, 2020. Reviewed by Amanda Eubanks Winkler.
  • The Politics of Princely Entertainment: Music and Spectacle in the Lives of Lorenzo Onofrio and Maria Mancini Colonna (1659–1689). By Valeria De Lucca. New York: Oxford University Press, 2020. Reviewed by Anne-Madeleine Goulet.
  • Early Printed Music and Material Culture in Central and Western Europe. Edited by Andrea Lindmayr-Brandl and Grantley McDonald. London and New York: Routledge, 2021. Reviewed by Rudolf Rasch.
Communication
  • Desperately Seeking Patrons? A Little-Known Letter by Tiburzio Massaino. Communication from Martin Morell.

Volume 27 (2021) No. 2

Table of Contents

A Note from the Editor, Lois Rosow

Articles
Book Reviews
  • The Harmonious Musick of John Jenkins. Volume Two: Suites, Airs and Vocal Music. By Andrew Ashbee. London: Toccata Press, 2020. Reviewed by Alon Schab.
  • Music, Dance, and Drama in Early Modern English Schools. By Amanda Eubanks Winkler. Cambridge and New York: Cambridge University Press, 2020. Reviewed by Sarah F. Williams.

Volume 27 (2021) No. 1

Table of Contents

A Note from the Editor, Lois Rosow

Articles
Book Reviews
  • “Qu’une plus belle nüit ne pouvoit précéder le beau iour”: Musica e cerimonie nelle istituzioni religiose francesi a Roma nel Seicento. By Galliano Ciliberti. Aguaplano/biblioteca Studi 12. Perugia: Aguaplano, 2016. Reviewed by Michela Berti.
  • Les foyers artistiques à la fin du règne de Louis XIV (1682–1715): Musique et spectacles. Edited by Anne-Madeleine Goulet, in collaboration with Rémy Campos, Mathieu da Vinha, and Jean Duron. Épitome musical. Turnhout, Belgium: Brepols, 2019. Reviewed by Jean-Paul C. Montagnier.

Volume 26 (2020) No. 1

Table of Contents

Thirty Years of War: Henrich Schütz and Music in Protestant Germany
Victor Coelho, Guest Co-Editor

A Note from the Editor, Lois Rosow

Articles
Book Reviews
  • Ritual Design for the Ballet Stage: Revisiting the Turkish Ceremony in “Le Bourgeois Gentilhomme” (1670). Edited by Hanna Walsdorf. Cadences—Schriften zur Tanz- und Musikgeschichte 1. Berlin: Frank & Timme, 2019. Reviewed by Geoffrey Burgess.
  • The Sonatas of Henry Purcell: Rhetoric and Reversal. By Alon Schab. Eastman Studies in Music 146. Rochester, NY: University of Rochester Press, 2018. Reviewed by John Cunningham.
  • Curious & Modern Inventions: Instrumental Music as Discovery in Galileo’s Italy. By Rebecca Cypess. Chicago: University of Chicago Press, 2016. Reviewed by Frederick Hammond.
  • Music at the Maison Royale de Saint-Louis at Saint-Cyr. By Deborah Kauffman. London and New York: Routledge, 2019. Reviewed by John Hajdu Heyer.
  • The Powers of Sound and Song in Early Modern Paris. By Nicholas Hammond. Perspectives on Sensory History. University Park, PA: Penn State University Press, 2019. Reviewed by John Romey.
  • The Golden Age of Flemish Harpsichord Making: A Study of the MIM’s Ruckers Instruments. Edited by Pascale Vandervellen. Brussels: Musical Instruments Museum, 2017. Reviewed by Saraswathi Shukla.
  • Dietrich Buxtehudes geistliche Vokalwerke: Texte, Formen, Gattungen. By Olga Gero. Studia musicologica Upsaliensia, nova series 26. Uppsala: Uppsala Universitet, 2016. Reviewed by Paul Walker.
Recording Reviews
  • Corbetta: La guitarre royalle. Izhar Elias, Baroque guitar. Brilliant Classics, 2018. Reviewed by Michael A. Bane.
  • Juan de Navas. Aves, flores y estrellas: Tonos y arias. Música ficta. Lindoro, 2017. Juan de Navas. Alado cisne de nieve: Art Songs. Música ficta. Et’cetera, 2018. Reviewed by Drew Edward Davies.

Volume 25 (2019) No. 1

Table of Contents

In memoriam Robert F. Judd (1956–2019)

Twenty-fifth Anniversary Reflections
Articles
Book Reviews
  • Weil es ein zierlich und lieblich ja nobilitiert Instrument ist: Der Resonanzraum der Laute und musikalische Repräsentation am Wolfenbütteler Herzogshof 1580–1625. By Sigrid Wirth. Wolfenbütteler Abhandlungen zur Renaissanceforschung 34. Wiesbaden: Harrassowitz Verlag, 2017. Reviewed by Alex Fisher.
  • A Sociable Moment: Opera and Festive Culture in Baroque Siena. By Colleen Reardon. New York: Oxford University Press, 2016. Reviewed by Beth L. Glixon.
  • Fuga Satanae: Musique et démonologie à l’aube des temps modernes. By Laurence Wuidar. Cahiers d’Humanisme et Renaissance 150. Geneva: Droz, 2018. Reviewed by Catherine Gordon.
  • Dance and Drama in French Baroque Opera: A History. By Rebecca Harris-Warrick. Cambridge Studies in Opera. Cambridge, UK: Cambridge University Press, 2016. Reviewed by Graham Sadler.
  • Matthias Weckman: Das Leben des Hamburger Jacobi-Organisten und sein Schaffen für die Vox Humana. By Heiko Maus. Nordhausen: Verlag T. Bautz GmbH, 2016. Reviewed by Alexander Silbiger.
  • The Well-Travelled Musician: John Sigismond Cousser and Musical Exchange in Baroque Europe. By Samantha Owens. Woodbridge, UK: The Boydell Press, 2017. Reviewed by Arne Spohr.
  • Heinrich Schütz. Hochzeitsmusiken. Edited by Joshua Rifkin, with the assistance of Hope Ehn, Eva Linfield, David St. George, and Jean Widaman. In Neue Ausgabe sämtlicher Werke, vol. 29. Kassel: Bärenreiter, 2016. Reviewed by Mara R. Wade.

Volume 24 (2018) No. 1

Table of Contents

A Note from the Editor, Lois Rosow

Articles
Book Reviews
  • The Lure and Legacy of Music at Versailles: Louis XIV and the Aix School. By John Hajdu Heyer. Cambridge: Cambridge University Press, 2014. Reviewed by Peter Bennett.
  • Jacques Champion de Chambonnières. The Collected Works. Edited by Bruce Gustafson and Denis Herlin. 2 vols. The Art of the Keyboard 12. New York: The Broude Trust, 2017. Reviewed by David Chung.
  • Studien zum Stilwandel in der protestantischen Figuralmusik des mittleren 17. Jahrhunderts. By Peter Wollny. Forum Mitteldeutsche Barockmusik 5. Beeskow: Ortus, 2016. Reviewed by Mary E. Frandsen.
  • Passaggio in Italia: Music on the Grand Tour in the Seventeenth Century. Edited by Dinko Fabris and Margaret Murata. Turnhout, Belgium: Brepols, 2015. Reviewed by Kimberly Beck Hieb.
  • Le “giustificazioni” dell’Archivio Barberini: Inventario. Vol. 1, Le giustificazioni dei cardinali. By Luigi Cacciaglia. Studi e Testi 485. Vatican City: Biblioteca Apostolica Vaticana, 2014. Reviewed by Margaret Murata.
  • Meantone Temperaments on Lutes and Viols. By David Dolata. Bloomington: Indiana University Press, 2016. Reviewed by Herbert W. Myers.

Volume 23 (2017) No. 1

Table of Contents

A Note from the Editor, Lois Rosow

Article
Forum

“Staging the Baroque: The Perils and Pleasures of Baroque Opera DVDs in the Classroom”

Recording Review
  • Monteverdi in Mantua: The Genius of the Vespers. Presented by Simon Russell Beale with Harry Christophers and The Sixteen; produced and directed by Andy King-Dabbs. Licensed by the BBC. Coro 2014. [CORO DVD 7 COR 16131] Reviewed by Jeffrey Kurtzman.

Volume 22 (2016) No. 1

Table of Contents

Published 2017

A Note from the Editor, Lois Rosow

Articles
Book Reviews
  • Unsuspected Competitive Contexts in Early Opera: Monteverdi’s Milanese Challenge to Florence’s “Euridice” (1600). By Federico Schneider. Temi e testi, nuova ser. 141. Rome: Edizioni di Storia e Letteratura, 2016. Reviewed by Tim Carter.
  • New Perspectives on Marc-Antoine Charpentier. Edited by Shirley Thompson. Farnham, UK: Ashgate, 2010. Reviewed by Anita Hardeman.
  • The Italian Cantata in Vienna: Entertainment in the Age of Absolutism. By Lawrence Bennett. Bloomington: Indiana University Press, 2013. Reviewed by Janet K. Page.
Recording Review
  • Oddities & Trifles: The Very Peculiar Instrumental Music of Giovanni Valentini. ACRONYM. Olde Focus Records, 2015. [FCR904]. Giovanni Valentini: Secondo libro de madrigali. Les Canards Chantants and ACRONYM. Olde Focus Records, 2016. [FCR908]. Johann Rosenmüller in Exile. ACRONYM and Jesse Blumberg, baritone. Olde Focus Recordings, 2017. [FCR909]. Wunderkammer. ACRONYM. Olde Focus Records, 2016. [FCR906]. Reviewed by Rebecca Cypess.
Communication

Volume 21 (2015) No. 1

Table of Contents

Published 2017

A Note from the Editor, Kelley Harness

Articles
Book Reviews
  • From Madrigal to Opera: Monteverdi’s Staging of the Self. By Mauro Calcagno. Berkeley: University of California Press, 2015. Reviewed by Andrew Eggert.
  • A Performer’s Guide to Seventeenth-Century Music. Edited by Stewart Carter. Revised and Expanded by Jeffery Kite-Powell. Bloomington: Indiana University Press, 2012. Reviewed by Candace Bailey.
  • Orpheus in the Marketplace: Jacopo Peri and the Economy of Late Renaissance Florence. By Tim Carter and Richard A. Goldthwaite. I Tatti Studies in Italian Renaissance History. Cambridge, Mass.: Harvard University Press, 2013. Reviewed by Anthony M. Cummings.
  • Giovanni Gabrieli and His Contemporaries: Music, Sources and Collections. By Richard Charteris. Farnham: Ashgate, 2011. Reviewed by Rebecca Edwards.
  • The Consort Music of William Lawes, 1602–1645. By John Cunningham. Woodbridge, Suffolk, U.K.: Boydell Press, 2010. Reviewed by Arne Spohr.
  • Listening as Spiritual Practice in Early Modern Italy. By Andrew Dell’Antonio. Berkeley: University of California Press, 2011. Reviewed by Stefanie Tcharos.
  • Bohemian Baroque: Czech Musical Culture and Style, 1600–1750. By Robert G. Rawson. Woodbridge, Suffolk, U.K.: Boydell Press, 2013. Reviewed by Kimberly Beck Hieb.

Volume 20 (2014) No. 1

Table of Contents

Published 2017

Articles
Book Reviews
  • The Ruined Bridge: Studies in Barberini Patronage of Music and Spectacle 1631–1679. By Frederick Hammond. Sterling Heights, Mich.: Harmonie Park Press, 2010. Reviewed by Virginia Christy Lamothe.
  • Sacred Music as Public Image for Holy Roman Emperor Ferdinand III: Representing the Counter-Reformation Monarch at the End of the Thirty Years’ War. By Andrew H. Weaver. Farnham, Surrey: Ashgate Publishing, 2013. Reviewed by Janet Page.
  • Männer als Ammen—Frauen als Liebhaber: Cross-gender Casting in der Oper 1600–1800. By Kordula Knaus. Beihefte zum Archiv für Musikwissenschaft 69. Stuttgart: Franz-Steiner-Verlag, 2011. Reviewed by Hendrik Schulze.
Musical Edition Review
  • Jean Henry D’Anglebert. The Collected Works. Edited by C. David Harris. The Art of the Keyboard 7. New York: The Broude Trust, 2009. Reviewed by David Ledbetter.

Volume 19 (2013) No. 1

Table of Contents

Published 2017

A Note from the Editor, Kelley Harness

Articles
Book Reviews
  • Maurizio Cazzati (16161678) musico guastallese: Nuovi studi e prospettive metodologiche. Edited by Paolo Giorgi. Studi e ricerche per la storia della musica a Guastalla 1. Guastalla: Associazione culturale “Giuseppe Serassi,” 2009. Reviewed by Gregory Barnett.
  • The Instrumental Music of Schmeltzer, Biber, Muffat and Their Contemporaries. By Charles E. Brewer. Aldershot: Ashgate, 2011. Reviewed by Rebecca Cypess.
  • Jacob Van Eyck and the Others—Dutch Solo Repertoire for Recorder in the Golden Age. By Thiemo Wind. Translated by Jonathan Reeder. Muziekhistorische Monografieën 21. Utrecht: Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, 2011. Reviewed by Claire Fontijn.
Recording Review
  • Landi, Stefano. Il Sant’Alessio. Les Arts Florissants Orchestra and Choir and La Maîtrise de Caen Children’s Choir, directed by William Christie. Benjamin Lazar, Stage Director. Recorded live at the Théâtre de Caen, October 15 and 18, 2007. EMI Records Ltd./ Virgin Classics, 2008. 2 DVDs, 162 min. [DVD 5099951899998]. Reviewed by Maria Anne Purciello.
Communications

Volume 18 (2012) No. 1

Table of Contents

Published 2016

Report of the Conference Internationale Monteverdi-Interpretationen: Wissenschaft – Praxis – Vermittlung, Held at the Musikwissenschaftliche Institut of the Wolfgang Goethe University of Frankfurt, July 2–4, 2009

Jeffrey Kurtzman, Guest Editor

Volume 17 (2011) No. 1

Table of Contents

Published 2015

Articles
Book Reviews
  • Cancionero mariano de Charcas. By Andrés Eichmann Oehrli. Madrid: Iberoamericana ; Frankfurt: Vervuert, 2009. Reviewed by Drew Edward Davies.
  • Le Motet à grand chœur (1660–1792): Gloria in Gallia Deo. By Thierry Favier. Paris: Fayard, 2009. Reviewed by Don Fader.
  • Music in Seventeenth-Century Naples: Francesco Provenzale (1624–1704). By Dinko Fabris. Aldershot, Hampshire: Ashgate, 2007. Reviewed by Louise K. Stein.
Musical Edition Reviews
  • Ballet de la Prospérité des Armes de la France. Edited by Gérard Geay. Cahier 210 “Orchestre.” Versailles: [Éditions du Centre de Musique Baroque de Versailles], 2009. Reviewed by Rose A. Pruiksma.
  • Artus Aux-Cousteaux. Octo cantica Divae Mariae Virginis. Plainchant restored by Jean-Yves Hameline. Versailles: Éditions du Centre de Musique Baroque de Versailles, 2009. Reviewed by Peter Bennett.

Volume 16 (2010) No. 1

Table of Contents

Published 2013

A Note from the Editor, Kelley Harness

Articles
Book Reviews
  • A Muse of Music in Early Baroque Florence: The Poetry of Michelangelo Buonarroti il Giovane. By Janie Cole. Florence: Leo S. Olschki, 2007. Reviewed by Paul Schleuse.
  • Francesca Caccini at the Medici Court: Music and the Circulation of Power. By Suzanne G. Cusick. Chicago and London: The University of Chicago Press, 2009. Reviewed by Andrew Dell’Antonio.
  • Monteverdi’s Last Operas: A Venetian Trilogy. Ellen Rosand. Berkeley: University of California Press, 2007. Reviewed by Emily Wilbourne.
  • Editing Music in Early Modern Germany. By Susan Lewis Hammond. Burlington, VT: Ashgate, 2007. Reviewed by John Kmetz.
Musical Edition Review
  • Francesco Rossi, Ludovico Busca, Pietro Simone Agostini: Un’opera per Elisabetta d’Inghilterra, “Le regina Floridea” (Milan 1670). Edizione critica del libretto di Teodoro Barbò e della musica di Francesco Rossi, Ludovico Busca, Pietro Simone Agostini. Edited by Carlo Lanfossi. Milan: LED Edizioni Universitarie di Lettere Economia Diritto, 2009. Il Filarete, vol. 263. Reviewed by Margaret Murata.
Recording Review
  • Henry Purcell, Dido and Aeneas, The Royal Opera/The Royal Ballet. Director and Choreographer Wayne McGregor; Orchestra of the Age of Enlightenment, Conductor Christopher Hogwood DVD (Opus Arte: OA 1018D, 2009). Reviewed by Amanda Eubanks Winkler.

Volume 15 (2009) No. 1

Table of Contents

Published 2013

A Note from the Editor, Bruce Gustafson

Articles
Review-Essay
  • Buxtehude’s Free Organ Works: Die freien Orgelwerke Dieterich Buxtehudes: Überlieferungsgeschichtliche und stilkritische Studien, 3rd ed., edited by Michael Belotti, reviewed by Kerala J. Snyder
Reviews
Books
Critical Editions of Music
Communication
  • Previously Unknown Charpentier Manuscript at Indiana University’s Lilly Library, Carla Williams

Volume 14 (2008) No. 1

Table of Contents

A Note from the Editor, Bruce Gustafson

Articles
Review

Volume 13 (2007) No. 1

Table of Contents

A Note from the Editor, Bruce Gustafson

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Review-Essay
Reviews
Books
Critical Editions of Music
Compact Disc
  • Thomas Tomkins: Above the Starrs, Fretwork with Emma Kirkby, Catherine King, Charles Daniels, Donald Greig, Richard Wistreich, and Jonathan Arnold, reviewed by Andrew R. Walkling
Communications

Volume 12 (2006) No. 1

Table of Contents

A Note from the Editor, Bruce Gustafson

Articles
Reviews
Books
Critical Edition of Music
  • Domenico Allegri, Music for an Academic Defense (Rome, 1617), edited by Anthony John, with historical and textual commentary by Louise Rice and Clare Woods, reviewed by Noel O’Regan
Facsimile Edition of Music
  • Heilige Seelen-Lust [2nd edition, 1668]. By Angelus Silesius [Johannes Scheffler]. Introduction by Michael Fischer and Dominik Fugger, reviewed by Allen Scott
Communication

Volume 11 (2005) No. 1

Table of Contents

A Note from the Editor, Bruce Gustafson

Articles
Review-Essay
Reviews
Books
Critical Editions of Music
Facsimile Editions of Music
  • Pièces de clavecin ca 1670–1685: fac-similé du manuscrit, Bibliothèque du Conservatoire Royal/Koninklijk Conservatorium, Bruxelles, Ms 27220, Introduction by David Fuller;
  • Jean Henry D’Anglebert, Pièces de clavecin, Introduction by Denis Herlin;
  • Nicolas de Grigny, Premier Livre d’orgue: Édition originale, 1699; Copie manuscrite de J.S. Bach; Copie manuscrite de J.G. Walther, presented by Pierre Hardouin, Philippe Lescat, Jean Saint-Arroman, and Jean-Christophe Tosi; reviewed by David Ledbetter
Compact Discs
Communication

Volume 10 (2004) No. 1

Table of Contents

Le Theatre de sa Gloire: Essays on Persée, Tragédie en Musique by Quinault and Lully
Dedicated to the Memory of James R. Anthony
Lois Rosow, Guest Editor

James R. Anthony (1922–2001): An Appreciation, Rebecca Harris-Warrick

Introduction, Lois Rosow

Summary of the Plot of Persée, Buford Norman

Libretto of Persée, with English Prose Translation, Lois Rosow

Review-Essay
Articles
Communications

Volume 9 (2003) No. 1

Table of Contents

In Armonia Favellare: Report of the International Conference on Early Opera and Monody to Commemorate the 400th Anniversary of the Italian Music Dramas of 1600, Held at the University of Illinois, Urbana-Champaign, October 5-8, 2000
A Special Issue Dedicated to the Memory of Claude V. Palisca
John Walter Hill, Editor

JOHN WALTER HILL, Introduction

BARBARA RUSSANO HANNING, In memoriam Claude V. Palisca

Articles
Communications

Volume 8 (2002) No. 1

Table of Contents

Article
Reviews
BOOK
CRITICAL EDITION OF MUSIC
  • Harpsichord Music Associated with the Name La Barre. Edited by Bruce Gustafson and R. Peter Wolf. The Art of the Keyboard, 4. New York: The Broude Trust, 1999. Reviewed by Alexander Silbiger.
COMPACT DISC
BRIEFLY NOTED

by Bruce Gustafson, Reviews Editor.

Communications

Responses to articles and reviews will be published at the discretion of the editor; all responses will be considered as submitted for publication unless the author explicitly states otherwise.

Volume 7 (2001) No. 1

Table of Contents

Article
Reviews
BOOKS
  • FRANCO BRUNI. Stampe musicali italiane alla cattedrale di Malta:
    Storia e catalogo della collezione (ACM, Mus. Pr. 1-159)
    . Gwann,
    Malta: Publishers Enterprises Group [distributed by Lucca: LIM Editrice],
    1999. Reviewed by Anne Schnoebelen.
  • ROBERT SHAY and ROBERT THOMPSON. Purcell Manuscripts: The
    Principal Musical Sources
    . Cambridge: Cambridge University Press,
    2000. Reviewed by Rebecca Herissone.
  • TIM CARTER. Music, Patronage, and Printing in Late Renaissance
    Florence.
    Variorum Collected Studies Series CS682. Aldershot: Ashgate,
    2000. TIM CARTER. Monteverdi and his Contemporaries. Variorum
    Collected Studies Series CS690. Aldershot: Ashgate, 2000. Reviewed
    by Kelley Harness.
  • JUKKA SARJALA. Music, Morals, and the Body: An Academic
    Issue in Turku, 1653-1808
    . Studia Historica 65. Helsinki: Suomalaisen
    Kirjallisuuden Seura–Finnish Literature Society, 2001. Reviewed
    by Inna Naroditskaya.
CRITICAL EDITIONS OF MUSIC
  • Vingt et une suites pour le clavecin de Johann Jacob Froberger
    et d’autres auteurs; Dresden, Sächsische Landesbibliothek, Ms.
    1-T-595 (Strasbourg, 1675)
    . Edited by Rudolf Rasch. Convivium Musicum
    5. Stuttgart: Carus-Verlag, 2000. Reviewed
    by Bruce Gustafson.
  • MELCHIOR FRANCK. Paradisus Musicus. Edited by Martin Philip
    Setchell. Recent Researches in the Music of the Baroque Era,106. Madison: A-R Editions, 2000. Reviewed
    by Arne Spohr.
COMPACT DISC
  • HENRY PURCELL. The Fairy Queen & The Prophetess: Orchestral
    Suites.
    Le Concert des Nations, directed by Jordi Savall. Audivis, 1997. Reviewed by Andrew R. Walkling.
BRIEFLY NOTED

by Bruce Gustafson, Reviews Editor

Volume 6 (2000) No. 2

Table of Contents

Review Essay
Reviews
BOOKS
  • PENELOPE GOUK. Music, Science
    and Natural Magic in Seventeenth-Century England
    . New Haven and
    London: Yale University Press, 1999. Reviewed
    by Thomas Christensen
    .
  • DIANE KELSEY McCOLLEY. Poetry
    and Music in Seventeenth-Century England
    . Cambridge: Cambridge University
    Press, 1997. Reviewed by Andrew R. Walkling.
  • PETER WALLS. Music in the English
    Courtly Masque, 1604–1640
    . Oxford: Clarendon Press, 1996. Reviewed
    by Janet Pollack.
  • A Woman Scorn’d: Responses
    to the Dido Myth
    . Edited by Michael Burden. London: Faber and Faber,
    1998. Reviewed by Margaret Laurie.
  • ANDREW ASHBEE and DAVID LASOCKI,
    assisted by Peter Holman and Fiona Kisby. A Biographical Dictionary
    of English Court Musicians, 1485–1714
    . Aldershot: Ashgate, 1998. Reviewed by John Milsom.
  • BRUCE R. SMITH. The Acoustic
    World of Early Modern England: Attending to the O-Factor.
    Chicago:
    University of Chicago Press, 1999. Reviewed
    by Ross W. Duffin
    .
  • PETER ALLSOP, Arcangelo Corelli: “New Orpheus of Our Times.” Oxford: Oxford University Press, 1999. Reviewed by Gregory Barnett.
  • EDWARD L. KOTTICK and GEORGE LUCKTENBERG. Early Keyboard Instruments in European Museums. Bloomington:
    Indiana University Press, 1997. Reviewed
    by Lisa Crawford
    .
  • ALFRED PLANYAVSKY. The Baroque
    Double Bass Violone
    . Translated by James Barket. Lanham, MD. and
    London: Scarecrow Press, 1998. Reviewed
    by Stephen Bonta
    .
  • FRIEDRICH JEKUTSCH, JOACHIM KREMER, and ARNDT SCHNOOR, eds. Christian
    Flor (1626–1697), Johann Abraham Peter Schulz (1747–1800): Texte und
    Dokumente zur Musikgeschichte Lüneburgs
    . Veröffentlichungen
    der Ratsbücherei Lüneburg, 6; Musik der frühen Neuzeit,
    2. Hamburg: von Bockel Verlag, 1997. Reviewed
    by Dianne M. McMullen
    .
  • FRANCINE LANCELOT. La Belle
    Dance: Catalogue raisonné
    . Paris: Van Dieren, 1996. Reviewed
    by Irene Alm
    .
CRITICAL EDITIONS OF MUSIC
  • CHIARA MARGARITA COZZOLANI. Motets.
    Edited by Robert L. Kendrick. Recent Researches in the Music of the
    Baroque Era, 87. Madison: A-R Editions, 1998. Reviewed
    by Jeffrey Kurtzman
    .
  • Dedication Service for St.
    Gertrude’s Chapel, Hamburg, 1607.
    Edited by Frederick K. Gable.
    Recent Researches in the Music of the Baroque Era, 91. Madison: A-R
    Editions, 1998. Reviewed by Steven Saunders.
  • JOHN WELDON. The Judgment of
    Paris
    . Edited by David W. Music. Recent Researches in the Music
    of the Baroque Era, 94. Madison: A-R Editions, 1998. Reviewed
    by Kathryn Lowerre
    .
  • JOHANN KLEMM. Partitura seu
    Tabulatura italica
    . Edited by John O. Robison. Recent Researches
    in the Music of the Baroque Era, 92. Madison: A-R Editions, 1998. Reviewed
    by Stephen Miller
    .
  • Orgelmusik av familjen Düben
    / Organ Works by the Düben Family
    . Edited by Pieter Dirksen.
    Bibliotheca Organi Sueciæ, 1. Stockholm: Runa Nototext, 1997 (c.1996). Reviewed by David Harris.
  • SEBASTIEN LE CAMUS. Airs à deux et trois parties. Edited by Robert A. Green. Recent Researches
    in the Music of the Baroque Era, 89. Madison: A-R Editions, 1998. Reviewed
    by Sally Sanford
    .
FACSIMILE EDITIONS OF MUSIC
  • JEAN-HENRY D’ANGLEBERT. Pièces
    de Clavecin: Édition de 1689; Manuscrit Rés 89ter
    (facsimile edition). Introductions by Philippe Lescat and Jean Saint-Arroman.
    La Musique française classique de 1650 à 1800, 5688. Courlay:
    Fuzeau, 1999. 2 volumes. Reviewed by Kenneth
    Gilbert
    .
  • NICOLAS-ANTOINE LEBEGUE. Les
    Pièces d’orgue (premier livre), 1676
    (facsimile edition).
    La Musique française classique de 1650 à 1800, 5634. Courlay:
    Fuzeau, 1999. Reviewed by Élisabeth
    Gallat-Morin
    .
  • MARIN MARAIS. Pièces
    en trio, 1692
    (facsimile edition). La Musique française classique
    de 1650 à 1800, 5638. Courlay: Fuzeau, 1999. 4 part books. Reviewed
    by Herbert Schneider
    .
  • CHRISTOPHER SIMPSON. The Seasons,
    for Two Bass-violls and a Treble with a Through-Bass for the Harpsicord
    or Organ
    (facsimile edition). Introduction by Margaret Urquhart.
    Manuscrits 20. Geneva: Minkoff, 1999. 4 parts. Reviewed
    by Mary Cyr
    .
  • JEAN-NOËL MARCHAND. Cantiques
    spirituels
    (facsimile edition). Introduction by Thierry Favier.
    La Musique française classique de 1650 à 1800, 5648. Courlay:
    Fuzeau, 1999. 4 fascicles. Reviewed
    by Catherine E. Gordon-Seifert
    .
COMPACT DISC
BRIEFLY NOTED,

by Bruce Gustafson, Reviews Editor

Volume 6 (2000) No. 1

Table of Contents

The Patronage of Sacred Music in Seventeenth-Century Italy
A Special Issue Dedicated to the Memory of Jean Lionnet
Jeffrey G. Kurtzman, editor
Articles
Communications

Volume 5 (1999) No. 1

Table of Contents

BOOKS
  • JOHN WALTER HILL, Roman Monody, Cantata, and Opera from the Circles
    around Cardinal Montalto
    . Oxford: Clarendon Press, 1998. Reviewed
    by Robert L. Kendrick
  • DIETRICH BARTEL, Musica Poetica: Musical-Rhetorical Figures in
    German Baroque Music
    . Lincoln: University of Nebraska Press, 1997. Reviewed by George J. Buelow
  • JOACHIM KREMER, Joachim Gerstenbüttel (1647–1721) im
    Spannungsfeld von Oper und Kirche: Ein Beitrag zur Musikgeschichte Hamburgs
    .
    Musik der frühen Neuzeit, 1. Hamburg: von Bockel Verlag, 1997. Reviewed by Frederick K. Gable
  • GEOFFREY WEBBER, North German Church Music in the Age of Buxtehude.
    Oxford: Clarendon Press, 1996. Reviewed
    by David Yearsley
MUSICAL EDITIONS
  • ANTONIO BONONCINI, Complete Sonatas for Violoncello and Basso
    Continuo
    . Edited by Lowell Lindgren. Recent Researches in the Music
    of the Baroque Era, 77. Madison, WI: A-R Editions, Inc., 1996. Reviewed
    by Gregory Barnett
  • BARBARA STROZZI, Cantate, ariete a una, due, e tre voci, opus
    3
    , Edited by Gail Archer. Recent Researches in the Music of the
    Baroque Era, 83. Madison: A-R Editions, 1997. Reviewed
    by John Walter Hill
  • SAMUEL CAPRICORNUS, Geistliche Harmonien III. Edited by Paul
    Walker. Collegium Musicum: Yale University, Series II, volume 13. Madison:
    A-R Editions, 1997. Reviewed by Geoffrey
    Webber
  • Solo Compositions for Violin and Viola da Gamba with Basso Continuo
    from the Collection of Prince-Bishop Carl Liechtenstein-Castelcorn at
    Kromeriz
    . Edited by Charles E. Brewer. Recent Researches in the
    Music of the Baroque Era, 82, Madison: A-R Editions, 1997. Reviewed
    by Peter Wollny
  • HENRY ALDRICH, Selected Anthems and Motet Recompositions,
    Edited by Robert Shay. Recent Researches in the Music of the Baroque
    Era, 85. Madison: A-R Editions, 1998. Reviewed
    by Michael Burden
  • ELISABETH-CLAUDE JACQUET DE LA GUERRE, Céphale et Procris.
    Edited by Wanda R. Griffiths. Recent Researches in the Music of the
    Baroque Era, 88. Madison, WI: A-R Editions, 1998. Reviewed
    by Carl B. Schmidt
  • CHARLES (?) HUREL, Tablature de luth et de théorbe (ca.
    1675): Ms PLM 17524 BDG, The Pierpont Morgan Library, New York
    .
    Preface by François Lesure. Geneva: Minkoff, 1996;ELISABETH
    JACQUET DE LA GUERRE, Les Pièces de clavessin, premier livre.
    Introduction by Carol Bates. Geneva: Minkoff, 1996, and Manuscrit
    Bauyn (ca. 1690): Paris, Bibliothèque Nationale de France Ms.
    Rés 674–675
    . Second Edition. Preface by Davitt Moroney.
    Geneva: Minkoff, 1998. Reviewed by
    David Ledbetter
  • JEAN (?) DE SAINTE-COLOMBE, Recueil de pièces de basse
    de viole en musique et en tablature (ca. 1690): Manuscrit de Tournus
    (ms M.3, Bibliothèque municipale, Tournus)
    . Introduction
    and index by François-Pierre Goy. Preface by Henri Lévêque.
    Geneva: Minkoff, 1998; Recueil de pièces de viole en musique
    et en tablature (1666) (Ms M2.1 T2.17C.Case, Washington: Library of
    Congress)
    . Introduction and index by Stuart Cheney. Geneva: Minkoff,
    1998. Reviewed by Mary Cyr
COMPACT DISCS
  • MARC-ANTOINE CHARPENTIER, Messe pour le Port-Royal. Michel
    Chapuis, organ; les Demoiselles de Saint-Cyr; Emmanuel, director. Auvidis/Astrée,
    1997. Reviewed by Benjamin Van Wye
  • Seventeenth-Century French Harpsichord Music. Edward Parmentier,
    harpsichord. Wildboar, 1990;The Bauyn Manuscript: Seventeenth-Century
    French Harpsichord Music
    . Byron Schenkman, harpsichord. Wildboar,
    1997; and Music for the Royal Pleasures: Harpsichord, Lute, and Organ
    Music in the Salon of Louis XIV
    . Linda Burman-Hall, harpsichord
    and organ; with Catherine Liddell, lute. Wildboar, 1997. Reviewed
    by Denis Herlin
  • BIAGIO MARINI, Curiose & moderne inventioni. Romanesca.
    Harmonia Mundi USA, 1997. Reviewed by Paul
    Whitehead
  • In stil moderno: The Fantastic Style in Seventeenth-Century Italy.
    Ingrid Matthews, baroque violin; Byron Schenkman, harpsichord. Wildboar,
    1995;ANDREA FALCONIERI, Canzone, Sinfonie, Fantasie, Capricci,
    Brandi, Correnti, Gagliarde, Alemane, Volte (Naples, 1650)
    . La Luna:
    Ingrid Matthews and Scott Metcalfe, violins; Emily Walhout, viola da
    gamba; Byron Schenkman, harpsichord. Wildboar, 1996;and ELISABETH-CLAUDE
    JACQUET DE LA GUERRE, Sonates pour le viollon, 1707. Ingrid Matthews,
    baroque violin; Byron Schenkman, harpsichord; Margriet Tindemans, viola
    da gamba. Wildboar, 1996. Reviewed by
    Linda Maria Koldau
BRIEFLY NOTED

by Bruce Gustafson, Reviews Editor

Volume 4 (1998) No. 1

Table of Contents

Articles
Reviews
BOOKS
  • Performing the Music of Henry Purcell. Edited by Michael Burden.
    Oxford: Clarendon Press, 1996. Reviewed by
    Robert Shay
  • The Livrets of Jean-Baptiste Lully’s Tragédies Lyriques: A
    Catalogue Raisonné
    . Compiled by Carl B. Schmidt. New York: Performers’ Editions [Broude Brothers], 1995. Reviewed
    by Lois Rosow
  • The Registration of Baroque Organ Music. By Barbara Owen. Bloomington:
    Indiana University Press, 1997. Reviewed
    by Lawrence Archbold
MUSICAL EDITIONS
  • Marc-Antoine Charpentier, Meslanges autographes, vol. 1. Introductions
    by Catherine Massip and H. Wiley Hitchcock. “Œuvres complètes,” I. Paris: Minkoff France, 1990. Reviewed
    by John S. Powell
  • Jean-Baptiste Lully, Quare fremuerunt gentes, LWV 67; Notus in
    Judaea Deus, LWV 7/177; Exaudiat te Dominus, LWV 77/15
    . Edited by
    Lionel Sawkins and Carl B. Schmidt; John Hajdu Heyer; and Anne Baker
    (respectively). “Jean-Baptiste Lully: The Collected Works” series IV, vol. 5. New York: The Broude Trust, 1996. Reviewed
    by Philippe Vendrix
COMPACT DISCS
  • William Byrd, Virginals & Consorts. Skip Sempé, harpsichord
    and director; Capriccio stravagante. Auvidis/Astrée,
    1997. Reviewed by Candace Bailey
  • Nicolas Vallet, Le Secret des Muses.
    Eugène Ferré, lute solo; with Jérôme Blum, Brian Freehan, and Pascal
    Monteilhet, lutes. Auvidis/Astrée, 1997 [Auvidis E 8591.] Reviewed by
    David J. Buch
BRIEFLY NOTED

by Bruce Gustafson, Reviews Editor

Volume 3 (1997) No. 1

Table of Contents

BOOKS
  • ROBERT L. KENDRICK, Celestial Sirens: Nuns and Their Music
    in Early Modern Milan
    (Oxford: Clarendon Press, 1996). Reviewed
    by Steven Saunders
  • STEVEN SAUNDERS, Cross, Sword, and Lyre: Sacred
    Music at the Imperial Court of Ferdinand II of Habsburg (1619-1637)
    (Oxford: Clarendon Press, 1995). Reviewed
    by Stewart Carter
  • NOEL O’REGAN, Institutional Patronage in Post-Tridentine
    Rome: Music at Santissima Trinità dei Pellegrini 1550-1650
    (London: Royal Musical Association, 1995). Reviewed
    by Giuseppe Gerbino
  • BERNARD BRAUCHLI, SUSAN BRAUCHLI, AND ALBERTO GALAZZO,
    editors., De Clavicordio II: Proceedings of the International Clavichord
    Symposium, Magnano, 21-23 September 1995
    (Magnano: Musica Antica
    a Magnano, 1996). Reviewed by David
    Harris
MUSICAL EDITIONS
  • GIROLAMO FRESCOBALDI, “Fioretti del Frescobaldi”:
    London, British Library Add. 40080
    , edited by Andrea Marcon and
    Armin Gaus (Zimmern ob Rottweil: Edition Gaus, 1994). Reviewed
    by Frederick Hammond
  • Seventeenth-Century Italian Sacred Music, Anne
    Schnoebelen, general editor (25 vols.; New York and London: Garland
    Publishing, Inc., 1995- ). Reviewed
    by Jonathan Glixon
  • JOHANN CASPAR KERLL, The Collected Works for
    Keyboard
    (New York: The Broude Trust, 1995), and Four Suites (New York: The Broude Trust, 1991), edited by C. David Harris. Reviewed
    by David R. Fuller
  • GUILLAUME-GABRIEL NIVERS, Motets à voix seule,
    accompagnée de la basse continue, Paris, 1689
    , introduced
    by Philippe Lescat and Jean Saint-Arroman (Courlay: Fuzeau, 1994), and
    ROBERT BALLARD, Premier Livre de tablature de luth, 1611, introduced
    by Pascale Boquet and François-Pierre Goy (Courlay: Fuzeau, 1995). Reviewed by David J. Buch
COMPACT DISCS
  • Stravaganze: 17th-Century Italian Songs and Dances,
    performed by The King’s Noyse: David Douglass, director, with Andrew
    Lawrence-King, harp (Harmonia Mundi USA, 1995). Reviewed
    by Wendy Heller
  • JOHANN HEINRICH SCHMELZER, Violin Sonatas, performed
    by Romanesca: Andrew Manze, violin; Nigel North, theorbo; John Toll,
    harpsichord and organ (Harmonia Mundi USA, 1996). Reviewed
    by Peter Wollny
BRIEFLY NOTED

by Bruce Gustafson, Reviews Editor

Volume 2 (1996) No. 1

Table of Contents

Articles
Communications

Volume 1 (1995) No. 1

Table of Contents

Articles
Reviews