The Journal of Seventeenth-Century Music
Volume 25 (2019) No. 1
In memoriam Robert F. Judd (1956–2019)
Table of Contents
Twenty-fifth Anniversary Reflections
- An Anniversary Note from the Editor: Remembering the Beginning: Lois Rosow
- Historical and Personal Perspectives: Alexander Silbiger, Kerala J. Snyder, Margaret Murata, Brent Wissick, and Tim Carter
- The Editors Speak: A Documentary Video: Lois Rosow, with Kerala J. Snyder, Bruce Gustafson, and Kelley Harness
Articles
- Jeffrey Kurtzman: Another Example of Monteverdi’s Self-borrowing: The First Dixit Dominus in the Messa a quattro voci et salmi (1650) and the Dixit Dominus primo of the Selva morale et spirituale (1641)
- Nicholas Till: “A Free and Knightly Art”: Monteverdi’s Toccata for Orfeo and the Neo-Chivalric Ideal in Early Seventeenth-Century Italy
- Naomi Barker: Mottos and Metaphors: Towards an Interpretation of the Emblems in Frescobaldi’s Primo libro d’arie musicali
- Derek Stauff: Monteverdi and Scacchi in Breslau: Madrigal Contrafacta in a Time of Conflict
Book Reviews
- Weil es ein zierlich und lieblich ja nobilitiert Instrument ist: Der Resonanzraum der Laute und musikalische Repräsentation am Wolfenbütteler Herzogshof 1580–1625. By Sigrid Wirth. Wolfenbütteler Abhandlungen zur Renaissanceforschung 34. Wiesbaden: Harrassowitz Verlag, 2017. Reviewed by Alex Fisher.
- A Sociable Moment: Opera and Festive Culture in Baroque Siena. By Colleen Reardon. New York: Oxford University Press, 2016. Reviewed by Beth L. Glixon.
- Fuga Satanae: Musique et démonologie à l’aube des temps modernes. By Laurence Wuidar. Cahiers d’Humanisme et Renaissance 150. Geneva: Droz, 2018. Reviewed by Catherine Gordon.
- Dance and Drama in French Baroque Opera: A History. By Rebecca Harris-Warrick. Cambridge Studies in Opera. Cambridge, UK: Cambridge University Press, 2016. Reviewed by Graham Sadler.
- Matthias Weckman: Das Leben des Hamburger Jacobi-Organisten und sein Schaffen für die Vox Humana. By Heiko Maus. Nordhausen: Verlag T. Bautz GmbH, 2016. Reviewed by Alexander Silbiger.
- The Well-Travelled Musician: John Sigismond Cousser and Musical Exchange in Baroque Europe. By Samantha Owens. Woodbridge, UK: The Boydell Press, 2017. Reviewed by Arne Spohr.
- Heinrich Schütz. Hochzeitsmusiken. Edited by Joshua Rifkin, with the assistance of Hope Ehn, Eva Linfield, David St. George, and Jean Widaman. In Neue Ausgabe sämtlicher Werke, vol. 29. Kassel: Bärenreiter, 2016. Reviewed by Mara R. Wade.
