Pages vii and xiv: Eleonora Gonzaga is described as Ferdinand IIIs mother; she was his stepmother.
Note 23: the harmonic movement is described as leading via D back to G; the opposite is true.
Page ix: Koldau provides no citation for her information on the musical preferences at the Habsburg court in Vienna, though her information clearly comes from Steven Saunders, Cross, Sword and Lyre: Sacred Music at the Imperial Court of Ferdinand II of Habsburg (1619–1637) (Oxford: Clarendon, 1995).
Page x, Table 2: a line is improperly placed between the two Magnificat settings.
Page xi, first column: chiarette should read chiavette.
Page xi, second column: the concluding sentence of the last full paragraph should probably read cadences on A instead of cadences in A.
Page xvi, last full paragraph of the first column: Rigattis name is preceded by the.