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Copyright © 1995–2012 by the Society for Seventeenth-Century Music
 
 
The Journal of Seventeenth-Century Music (JSCM) is published by the Society for Seventeenth-Century Music to provide a refereed forum for scholarly studies of the musical cultures of the seventeenth century. These include historical and archival studies, performance practice, music theory, aesthetics, dance and theater. The JSCM also publishes critical reviews and summary listings of recently published books, scores, recordings, and electronic media.
 
 
 
   
     
 

VOLUME 5 (1999) NUMBER 1
 

Table of Contents

Reviews

    BOOKS

  • JOHN WALTER HILL, Roman Monody, Cantata, and Opera from the Circles around Cardinal Montalto. Oxford: Clarendon Press, 1998. Reviewed by Robert L. Kendrick

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  • DIETRICH BARTEL, Musica Poetica: Musical-Rhetorical Figures in German Baroque Music. Lincoln: University of Nebraska Press, 1997. Reviewed by George J. Buelow

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  • JOACHIM KREMER, Joachim Gerstenbüttel (1647–1721) im Spannungsfeld von Oper und Kirche: Ein Beitrag zur Musikgeschichte Hamburgs. Musik der frühen Neuzeit, 1. Hamburg: von Bockel Verlag, 1997. Reviewed by Frederick K. Gable

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  • GEOFFREY WEBBER, North German Church Music in the Age of Buxtehude. Oxford: Clarendon Press, 1996. Reviewed by David Yearsley
  • MUSICAL EDITIONS

  • ANTONIO BONONCINI, Complete Sonatas for Violoncello and Basso Continuo. Edited by Lowell Lindgren. Recent Researches in the Music of the Baroque Era, 77. Madison, WI: A-R Editions, Inc., 1996. Reviewed by Gregory Barnett

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  • BARBARA STROZZI, Cantate, ariete a una, due, e tre voci, opus 3, Edited by Gail Archer. Recent Researches in the Music of the Baroque Era, 83. Madison: A-R Editions, 1997. Reviewed by John Walter Hill

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  • SAMUEL CAPRICORNUS, Geistliche Harmonien III. Edited by Paul Walker. Collegium Musicum: Yale University, Series II, volume 13. Madison: A-R Editions, 1997. Reviewed by Geoffrey Webber

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  • Solo Compositions for Violin and Viola da Gamba with Basso Continuo from the Collection of Prince-Bishop Carl Liechtenstein-Castelcorn at Kromeriz. Edited by Charles E. Brewer. Recent Researches in the Music of the Baroque Era, 82, Madison: A-R Editions, 1997. Reviewed by Peter Wollny

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  • HENRY ALDRICH, Selected Anthems and Motet Recompositions, Edited by Robert Shay. Recent Researches in the Music of the Baroque Era, 85. Madison: A-R Editions, 1998. Reviewed by Michael Burden

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  • ELISABETH-CLAUDE JACQUET DE LA GUERRE, Céphale et Procris. Edited by Wanda R. Griffiths. Recent Researches in the Music of the Baroque Era, 88. Madison, WI: A-R Editions, 1998. Reviewed by Carl B. Schmidt

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  • CHARLES (?) HUREL, Tablature de luth et de théorbe (ca. 1675): Ms PLM 17524 BDG, The Pierpont Morgan Library, New York. Preface by François Lesure. Geneva: Minkoff, 1996;  ELISABETH JACQUET DE LA GUERRE, Les Pièces de clavessin, premier livre. Introduction by Carol Bates. Geneva: Minkoff, 1996, and Manuscrit Bauyn (ca. 1690): Paris, Bibliothèque Nationale de France Ms. Rés 674–675. Second Edition. Preface by Davitt Moroney. Geneva: Minkoff, 1998. Reviewed by David Ledbetter

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  • JEAN (?) DE SAINTE-COLOMBE, Recueil de pièces de basse de viole en musique et en tablature (ca. 1690): Manuscrit de Tournus (ms M.3, Bibliothèque municipale, Tournus). Introduction and index by François-Pierre Goy. Preface by Henri Lévêque. Geneva: Minkoff, 1998; Recueil de pièces de viole en musique et en tablature (1666) (Ms M2.1 T2.17C.Case, Washington: Library of Congress). Introduction and index by Stuart Cheney. Geneva: Minkoff, 1998. Reviewed by Mary Cyr

COMPACT DISCS

  • MARC-ANTOINE CHARPENTIER, Messe pour le Port-Royal. Michel Chapuis, organ; les Demoiselles de Saint-Cyr; Emmanuel, director. Auvidis/Astrée, 1997. Reviewed by Benjamin Van Wye

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  • Seventeenth-Century French Harpsichord Music. Edward Parmentier, harpsichord. Wildboar, 1990;  The Bauyn Manuscript: Seventeenth-Century French Harpsichord Music. Byron Schenkman, harpsichord. Wildboar, 1997; and Music for the Royal Pleasures: Harpsichord, Lute, and Organ Music in the Salon of Louis XIV. Linda Burman-Hall, harpsichord and organ; with Catherine Liddell, lute. Wildboar, 1997. Reviewed by Denis Herlin

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  • BIAGIO MARINI, Curiose & moderne inventioni. Romanesca. Harmonia Mundi USA, 1997. Reviewed by Paul Whitehead

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  • In stil moderno: The Fantastic Style in Seventeenth-Century Italy. Ingrid Matthews, baroque violin; Byron Schenkman, harpsichord. Wildboar, 1995;  ANDREA FALCONIERI, Canzone, Sinfonie, Fantasie, Capricci, Brandi, Correnti, Gagliarde, Alemane, Volte (Naples, 1650). La Luna: Ingrid Matthews and Scott Metcalfe, violins; Emily Walhout, viola da gamba; Byron Schenkman, harpsichord. Wildboar, 1996;  and ELISABETH-CLAUDE JACQUET DE LA GUERRE, Sonates pour le viollon, 1707. Ingrid Matthews, baroque violin; Byron Schenkman, harpsichord; Margriet Tindemans, viola da gamba. Wildboar, 1996. Reviewed by Linda Maria Koldau

BRIEFLY NOTED by Bruce Gustafson, Reviews Editor

 


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Copyright © 1999 by the Society for Seventeenth-Century Music. Except as otherwise provided, the author of each article in this issue has granted permission for paper or electronic copies of the textual and graphical portions of that article to be made for classroom use, provided that (1) copies are distributed at or below cost, (2) the author and the Journal are identified, (3) proper notice of copyright is attached to each copy, and (4) the Journal of Seventeenth-Century Music is notified of the use.



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Reviews Editor: Bruce Gustafson
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