ISSN: 1089-747X
Copyright © 1995–2013 by the Society for Seventeenth-Century Music
The Journal of Seventeenth-Century Music (JSCM) is published by the Society for Seventeenth-Century Music to provide a refereed forum for scholarly studies of the musical cultures of the seventeenth century. These include historical and archival studies, performance practice, music theory, aesthetics, dance and theater. JSCM also publishes critical reviews and summary listings of recently published books, scores, recordings, and electronic media.

VOLUME 16 (2010) NUMBER 1

Table of Contents

A Note from the Editor, Kelley Harness


Book Reviews

  • A Muse of Music in Early Baroque Florence: The Poetry of Michelangelo Buonarroti il Giovane. By Janie Cole. Florence: Leo S. Olschki, 2007. Reviewed by Paul Schleuse.

  • Francesca Caccini at the Medici Court: Music and the Circulation of Power. By Suzanne G. Cusick.  Chicago and London: The University of Chicago Press, 2009. Reviewed by Andrew Dell’Antonio.

  • Monteverdi’s Last Operas: A Venetian Trilogy. Ellen Rosand. Berkeley: University of California Press, 2007. Reviewed by Emily Wilbourne.

  • Editing Music in Early Modern Germany. By Susan Lewis Hammond. Burlington, VT: Ashgate, 2007. Reviewed by John Kmetz.

Musical Edition Review

  • Francesco Rossi, Ludovico Busca, Pietro Simone Agostini: Un’opera per Elisabetta d’Inghilterra, “Le regina Floridea” (Milan 1670). Edizione critica del libretto di Teodoro Barbò e della musica di Francesco Rossi, Ludovico Busca, Pietro Simone Agostini. Edited by Carlo Lanfossi. Milan: LED Edizioni Universitarie di Lettere Economia Diritto, 2009. Il Filarete, vol. 263. Reviewed by Margaret Murata.

Recording Review

  • Henry Purcell, Dido and Aeneas, The Royal Opera/The Royal Ballet. Director and Choreographer Wayne McGregor; Orchestra of the Age of Enlightenment, Conductor Christopher Hogwood DVD (Opus Arte: OA 1018D, 2009). Reviewed by Amanda Eubanks Winkler.