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The Journal of Seventeenth-Century Music (JSCM) is published by the Society for Seventeenth-Century Music to provide a refereed forum for scholarly studies of the musical cultures of the seventeenth century. These include historical and archival studies, performance practice, music theory, aesthetics, dance and theater. The JSCM also publishes critical reviews and summary listings of recently published books, scores, recordings, and electronic media.
 
 
   
   
     
 

VOLUME 6 (2000) NUMBER 2

Table of Contents

Review Essay

Reviews

BOOKS

  • PENELOPE GOUK. Music, Science and Natural Magic in Seventeenth-Century England. New Haven and London: Yale University Press, 1999. Reviewed by Thomas Christensen.
  • DIANE KELSEY McCOLLEY. Poetry and Music in Seventeenth-Century England. Cambridge: Cambridge University Press, 1997. Reviewed by Andrew R. Walkling.
  • ANDREW ASHBEE and DAVID LASOCKI, assisted by Peter Holman and Fiona Kisby. A Biographical Dictionary of English Court Musicians, 1485–1714. Aldershot: Ashgate, 1998. Reviewed by John Milsom.
  • BRUCE R. SMITH. The Acoustic World of Early Modern England: Attending to the O-Factor. Chicago: University of Chicago Press, 1999. Reviewed by Ross W. Duffin.
  • EDWARD L. KOTTICK and GEORGE LUCKTENBERG. Early Keyboard Instruments in European Museums. Bloomington: Indiana University Press, 1997. Reviewed by Lisa Crawford.
  • ALFRED PLANYAVSKY. The Baroque Double Bass Violone. Translated by James Barket. Lanham, MD. and London: Scarecrow Press, 1998. Reviewed by Stephen Bonta.
  • FRIEDRICH JEKUTSCH, JOACHIM KREMER, and ARNDT SCHNOOR, eds. Christian Flor (1626–1697), Johann Abraham Peter Schulz (1747–1800): Texte und Dokumente zur Musikgeschichte Lüneburgs.  Veröffentlichungen der Ratsbücherei Lüneburg, 6; Musik der frühen Neuzeit, 2. Hamburg: von Bockel Verlag, 1997. Reviewed by Dianne M. McMullen.
  • FRANCINE LANCELOT. La Belle Dance: Catalogue raisonné. Paris: Van Dieren, 1996. Reviewed by Irene Alm.
  • CRITICAL EDITIONS OF MUSIC

  • CHIARA MARGARITA COZZOLANI. Motets. Edited by Robert L. Kendrick. Recent Researches in the Music of the Baroque Era, 87. Madison: A-R Editions, 1998. Reviewed by Jeffrey Kurtzman.
  • Dedication Service for St. Gertrude’s Chapel, Hamburg, 1607. Edited by Frederick K. Gable. Recent Researches in the Music of the Baroque Era, 91. Madison: A-R Editions, 1998. Reviewed by Steven Saunders.
  • JOHN WELDON. The Judgment of Paris. Edited by David W. Music. Recent Researches in the Music of the Baroque Era, 94. Madison: A-R Editions, 1998. Reviewed by Kathryn Lowerre.
  • JOHANN KLEMM. Partitura seu Tabulatura italica. Edited by John O. Robison. Recent Researches in the Music of the Baroque Era, 92. Madison: A-R Editions, 1998. Reviewed by Stephen Miller.
  • Orgelmusik av familjen Düben / Organ Works by the Düben Family. Edited by Pieter Dirksen. Bibliotheca Organi Sueciæ, 1. Stockholm: Runa Nototext, 1997 (c.1996). Reviewed by David Harris.
  • SEBASTIEN LE CAMUS. Airs à deux et trois parties. Edited by Robert A. Green. Recent Researches in the Music of the Baroque Era, 89. Madison: A-R Editions, 1998. Reviewed by Sally Sanford.
  • FACSIMILE EDITIONS OF MUSIC

  • JEAN-HENRY D’ANGLEBERT. Pièces de Clavecin: Édition de 1689; Manuscrit Rés 89ter (facsimile edition). Introductions by Philippe Lescat and Jean Saint-Arroman. La Musique française classique de 1650 à 1800, 5688. Courlay: Fuzeau, 1999. 2 volumes. Reviewed by Kenneth Gilbert.
  • NICOLAS-ANTOINE LEBEGUE. Les Pièces d’orgue (premier livre), 1676 (facsimile edition). La Musique française classique de 1650 à 1800, 5634. Courlay: Fuzeau, 1999. Reviewed by Élisabeth Gallat-Morin.
  • MARIN MARAIS. Pièces en trio, 1692 (facsimile edition). La Musique française classique de 1650 à 1800, 5638. Courlay: Fuzeau, 1999. 4 part books. Reviewed by Herbert Schneider.
  • CHRISTOPHER SIMPSON. The Seasons, for Two Bass-violls and a Treble with a Through-Bass for the Harpsicord or Organ (facsimile edition). Introduction by Margaret Urquhart. Manuscrits 20. Geneva: Minkoff, 1999. 4 parts. Reviewed by Mary Cyr.