VOLUME 6 (2000) NUMBER 2

Table of Contents

Review Essay

• DAVID FULLER. Observations on Couperin de Turin.

Reviews

BOOKS

• PENELOPE GOUK. Music, Science and Natural Magic in Seventeenth-Century England. New Haven and London: Yale University Press, 1999. Reviewed by Thomas Christensen.

• DIANE KELSEY McCOLLEY. Poetry and Music in Seventeenth-Century England. Cambridge: Cambridge University Press, 1997. Reviewed by Andrew R. Walkling.

• PETER WALLS. Music in the English Courtly Masque, 1604–1640. Oxford: Clarendon Press, 1996. Reviewed by Janet Pollack.

• A Woman Scorn’d: Responses to the Dido Myth. Edited by Michael Burden. London: Faber and Faber, 1998. Reviewed by Margaret Laurie.

• ANDREW ASHBEE and DAVID LASOCKI, assisted by Peter Holman and Fiona Kisby. A Biographical Dictionary of English Court Musicians, 1485–1714. Aldershot: Ashgate, 1998. Reviewed by John Milsom.

• BRUCE R. SMITH. The Acoustic World of Early Modern England: Attending to the O-Factor. Chicago: University of Chicago Press, 1999. Reviewed by Ross W. Duffin.

• PETER ALLSOP, Arcangelo Corelli: “New Orpheus of Our Times.” Oxford: Oxford University Press, 1999. Reviewed by Gregory Barnett.

• EDWARD L. KOTTICK and GEORGE LUCKTENBERG. Early Keyboard Instruments in European Museums. Bloomington: Indiana University Press, 1997. Reviewed by Lisa Crawford.

• ALFRED PLANYAVSKY. The Baroque Double Bass Violone. Translated by James Barket. Lanham, MD. and London: Scarecrow Press, 1998. Reviewed by Stephen Bonta.

• FRIEDRICH JEKUTSCH, JOACHIM KREMER, and ARNDT SCHNOOR, eds. Christian Flor (1626–1697), Johann Abraham Peter Schulz (1747–1800): Texte und Dokumente zur Musikgeschichte Lüneburgs.  Veröffentlichungen der Ratsbücherei Lüneburg, 6; Musik der frühen Neuzeit, 2. Hamburg: von Bockel Verlag, 1997. Reviewed by Dianne M. McMullen.

• FRANCINE LANCELOT. La Belle Dance: Catalogue raisonné. Paris: Van Dieren, 1996. Reviewed by Irene Alm.

CRITICAL EDITIONS OF MUSIC

• CHIARA MARGARITA COZZOLANI. Motets. Edited by Robert L. Kendrick. Recent Researches in the Music of the Baroque Era, 87. Madison: A-R Editions, 1998. Reviewed by Jeffrey Kurtzman.

• Dedication Service for St. Gertrude’s Chapel, Hamburg, 1607. Edited by Frederick K. Gable. Recent Researches in the Music of the Baroque Era, 91. Madison: A-R Editions, 1998. Reviewed by Steven Saunders.

• JOHN WELDON. The Judgment of Paris. Edited by David W. Music. Recent Researches in the Music of the Baroque Era, 94. Madison: A-R Editions, 1998. Reviewed by Kathryn Lowerre.

• JOHANN KLEMM. Partitura seu Tabulatura italica. Edited by John O. Robison. Recent Researches in the Music of the Baroque Era, 92. Madison: A-R Editions, 1998. Reviewed by Stephen Miller.

• Orgelmusik av familjen Düben / Organ Works by the Düben Family. Edited by Pieter Dirksen. Bibliotheca Organi Sueciæ, 1. Stockholm: Runa Nototext, 1997 (c.1996). Reviewed by David Harris.

• SEBASTIEN LE CAMUS. Airs à deux et trois parties. Edited by Robert A. Green. Recent Researches in the Music of the Baroque Era, 89. Madison: A-R Editions, 1998. Reviewed by Sally Sanford.

FACSIMILE EDITIONS OF MUSIC

• JEAN-HENRY D’ANGLEBERT. Pièces de Clavecin: Édition de 1689; Manuscrit Rés 89ter (facsimile edition). Introductions by Philippe Lescat and Jean Saint-Arroman. La Musique française classique de 1650 à 1800, 5688. Courlay: Fuzeau, 1999. 2 volumes. Reviewed by Kenneth Gilbert.

• NICOLAS-ANTOINE LEBEGUE. Les Pièces d’orgue (premier livre), 1676 (facsimile edition). La Musique française classique de 1650 à 1800, 5634. Courlay: Fuzeau, 1999. Reviewed by Élisabeth Gallat-Morin.

• MARIN MARAIS. Pièces en trio, 1692 (facsimile edition). La Musique française classique de 1650 à 1800, 5638. Courlay: Fuzeau, 1999. 4 part books. Reviewed by Herbert Schneider.

• CHRISTOPHER SIMPSON. The Seasons, for Two Bass-violls and a Treble with a Through-Bass for the Harpsicord or Organ (facsimile edition). Introduction by Margaret Urquhart. Manuscrits 20. Geneva: Minkoff, 1999. 4 parts. Reviewed by Mary Cyr.

• JEAN-NOËL MARCHAND. Cantiques spirituels (facsimile edition). Introduction by Thierry Favier. La Musique française classique de 1650 à 1800, 5648. Courlay: Fuzeau, 1999. 4 fascicles. Reviewed by Catherine E. Gordon-Seifert.

COMPACT DISC

• DIETRICH BUXTEHUDE. Organ Works. Lena Jacobson, organist. Deutsche Harmonia Mundi (BMG Classics), 1997. Reviewed by Hans Davidsson.

BRIEFLY NOTED, by Bruce Gustafson, Reviews Editor

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Copyright statement

Copyright © 2000 by the Society for Seventeenth-Century Music. Except as otherwise provided, the author of each article in this issue has granted permission for paper or electronic copies of the textual and graphical portions of that article to be made for classroom use, provided that (1) copies are distributed at or below cost, (2) the author and the Journal are identified, (3) proper notice of copyright is attached to each copy, and (4) the Journal of Seventeenth-Century Music is notified of the use.

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