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ISSN: 1089-747X
Copyright © 1995–2011 by the Society for Seventeenth-Century Music
 
 
The Journal of Seventeenth-Century Music (JSCM) is published by the Society for Seventeenth-Century Music to provide a refereed forum for scholarly studies of the musical cultures of the seventeenth century. These include historical and archival studies, performance practice, music theory, aesthetics, dance and theater. The JSCM also publishes critical reviews and summary listings of recently published books, scores, recordings, and electronic media.
 
 
 
   
     
 

VOLUME 7 (2001) NUMBER 1

Table of Contents

Article

Reviews

BOOKS

  • FRANCO BRUNI. Stampe musicali italiane alla cattedrale di Malta: Storia e catalogo della collezione (ACM, Mus. Pr. 1-159). Gwann, Malta: Publishers Enterprises Group [distributed by Lucca: LIM Editrice], 1999. Reviewed by Anne Schnoebelen.
  • ROBERT SHAY and ROBERT THOMPSON.  Purcell Manuscripts: The Principal Musical Sources. Cambridge: Cambridge University Press, 2000.  Reviewed by Rebecca Herissone.

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  • TIM CARTER. Music, Patronage, and Printing in Late Renaissance Florence.Variorum Collected Studies Series CS682. Aldershot: Ashgate, 2000. TIM CARTER. Monteverdi and his Contemporaries. Variorum Collected Studies Series CS690. Aldershot: Ashgate, 2000.  Reviewed by Kelley Harness.

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  • JUKKA SARJALA.  Music, Morals, and the Body:  An Academic Issue in Turku, 1653-1808. Studia Historica 65. Helsinki: Suomalaisen Kirjallisuuden Seura--Finnish Literature Society, 2001.  Reviewed by Inna Naroditskaya.
  • CRITICAL EDITIONS OF MUSIC

  • Vingt et une suites pour le clavecin de Johann Jacob Froberger et d’autres auteurs; Dresden, Sächsische Landesbibliothek, Ms. 1-T-595 (Strasbourg, 1675). Edited by Rudolf Rasch. Convivium Musicum 5. Stuttgart: Carus-Verlag, 2000. Reviewed by Bruce Gustafson.
  • MELCHIOR FRANCK. Paradisus Musicus. Edited by Martin Philip Setchell.  Recent Researches in the Music of the Baroque Era,

  • 106. Madison: A-R Editions, 2000. Reviewed by Arne Spohr.

    COMPACT DISC

  • HENRY PURCELL. The Fairy Queen & The Prophetess: Orchestral Suites.  Le Concert des Nations, directed by Jordi Savall.

  • Audivis, 1997. Reviewed by Andrew R. Walkling.

    BRIEFLY NOTED by Bruce Gustafson, Reviews Editor

 


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Copyright statement

Copyright © 2001 by the Society for Seventeenth-Century Music. Except as otherwise provided, the author of each article in this issue has granted permission for paper or electronic copies of the textual and graphical portions of that article to be made for classroom use, provided that (1) copies are distributed at or below cost, (2) the author and the Journal are identified, (3) proper notice of copyright is attached to each copy, and (4) the Journal of Seventeenth-Century Music is notified of the use.



Masthead

Editor-in-Chief: Kerala J. Snyder
Reviews Editor: Bruce Gustafson
Technical Editor: Margaret Mikulska
Editorial Assistant: Alexander J. Fisher
Editorial Board:
Linda Austern, Stewart A. Carter, Tim Carter, Wendy Beth Heller, John Walter Hill, Jeffrey Kurtzman, Margaret Murata, Lois Rosow, Steven E. Saunders, Alexander Silbiger, Christoph Wolff, Peter Wollny
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