Journal of Seventeenth-Century Music, volume 9 (2003) no. 1
http://www.sscm-jscm.org/v9/no1/hanning.html
ISSN: 1089-747X


Barbara Russano Hanning
The Ending of L’Orfeo: Father, Son, and Rinuccini


figure 17
Monteverdi’s “rewrite” of Striggio’s text, “Tu se’ morta,” compared with Rinuccini excerpts: affective repetition

Return to paragraph 11.3.