Volume 9 (2003) No. 1

Kelley Harness

Le tre Euridici: Characterization and Allegory in the Euridici of Peri and Caccini

Example 4
Jacopo Peri, Le musiche sopra lEuridice (Florence, 1601), 32: Pluto’s musical “thumbprint” and Orfeo’s use of it in response (scene 4)

Return to paragraph 4.4.
Return to paragraph 5.3