Volume 9 (2003) No. 1

Robert L. Kendrick

What’s So Sacred about “Sacred” Opera? Reflections on the Fate of a (Sub)Genre

figure 3
Rospigliosi/Landi, Il Sant’Alessio, “demonically incorrect” reference to past emotions (II, ii; 1634 score, p. 79)

Return to paragraph 4.2.