Bruce Gustafson*, Reviews Editor
The materials listed below were submitted for review and are likely to be of interest to readers of JSCM, but because they do not relate primarily to seventeenth-century music or are re-issues of previously available works they will not receive full reviews.
1.1 Meter in Music, 1600–1800: Performance, Perception, and Notation. By George Houle. Bloomington: Indiana University Press, 1987, reprinted 2000. [ix, 174 pp. ISBN 0-253-21391-6 $16.95.]
1.2 Jan Dismas Zelenka (1679–1745): A Bohemian Musician at the Court of Dresden. By Janice B. Stockigt. Oxford: Oxford University Press, 2000. [xxiii, 352 pp. ISBN 0-19-816622-2 $95.]
1.3 Women & Music: A History. Edited by Karin Pendle. Second Edition. Bloomington: Indiana University Press, 2001. [xi, 516 pp. ISBN 0-253-21422-X (paper bound) $24.95.]
2.1 Johann David Heinichen. La Gara degli Dei. Edited by Michael Walter. Recent Researches in the Music of the Baroque Era, 102. Madison: A-R Editions, 2000. [xxvi, 130 pp. ISBN 0-89579-452-7. $55.]
2.2 Johann David Heinichen. Diana su lElba. Edited by Michael Walter. Recent Researches in the Music of the Baroque Era, 103. Madison: A-R Editions, 2000. [xxi, 94 pp. ISBN 0-89579-453-5. $45.]
2.3 Johann Ludwig Bach. Motets. Edited by Daniel R. Melamed. Recent Researches in the Music of the Baroque Era, 108. Madison: A-R Editions, 2000. [xviii, 210 pp. ISBN 0-89579-470-5. $85.]
3.1 O Livro de guitarra do Conde de Redondo. Paulo Galvčo, baroque guitar. Musicália (www.musicalia.co.uk), 2000. [M.01.03.003.]
3.2 O Cancioneiro de Elvas (1526). Vitor Lima, counter-tenor; Joaquim Galvčo, recorder; and Paulo Galvčo, vihuela and lute. Musicália (www.musicalia.co.uk), 2000. [M.01.03.004.]
Copyright © 2001 by the Society for Seventeenth-Century Music. All rights reserved.
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